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Tom Petty - Breakdown
This ongoing feature is designed to teach guitarists some great guitar riffs, drawn from classic guitar solos, via guitar tablature and mp3 clips. The goal is to help guitarists understand the concept behind these riffs, so they can try creating something similar on their own, and learn to use the licks in their guitar solos. You'll need to understand how to read tablature and be able to listen to mp3s to participate.

tom petty and the heartbreakers breakdown tablature tab
Listen to mp3 clip of Breakdown

NOTES ON FEATURED LICK:
PERFORMANCE:
Slide into the first note of the riff with your third finger (you can start your slide on approximately the 12th fret, although you shouldn't stay on the fret long enough to make it sound as though there is a distinct starting point to the slide). Pay close attention to the notes that you pick, and the notes you slide to (instead of re-picking). On each note that is held, add a little vibrato for color.

HOW TO UTILIZE:
It may be a simple little lick, but you'll be amazed at how much information and how many ideas we can derive from "Breakdown". The song is in the key of A minor, and the riff is based the A minor pentatonic scale.
Although, as with almost anything on the guitar, you can play this riff in several different places on the neck, we're going to play it up around the 12th fret. Try playing the A minor pentatonic scale (seen below) starting at the 12th fret. You'll notice that the scale doesn't actually start on the note "A" when played in this position. The root for this scale position of the minor pentatonic is the first note you play on the fifth string. If you wanted to play a Dminor pentatonic scale using this shape, you'd start it on the fifth fret of the sixth string (so the first note you'd play on the fifth string would be "D".) Try and get comfortable playing in this different position - it's unhealthy for a guitarist to get stuck in the same old "root-on-sixth-string pentatonic scale".
What makes this lick so interesting is it's use of sliding, to create a sort of slippery effect. Practice playing the scale, picking the first note, and sliding to the next note on that string. Then, try hitting the first note, sliding to the second, and sliding back to the first, all without re-picking. Try the same technique to different scales you know. Experiment, and see if you can't come up with different combinations of notes and slides that sound good to you. Then, try incorporating bends, hammer-ons, and slides to your riffs. Try playing a familiar song riff you know using slides or bends to play notes you'd normally re-pick. Concentrate on creating your own riffs, using the ideas presented to us in "Breakdown".

ADDITIONAL NOTES/INSTRUCTIONS:

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